Posted on 22 September 2016 by Buddhism Now
Trans. and Commentary by Red Pine,
Shoemaker & Hoard, ISBN 9781593760823
Most Buddhists will know the Heart Sutra, at least those interested in the Mahayana tradition. It is chanted daily in Zen temples throughout Japan, Korea and China. This is considered to be the heart, the very essence, of the Perfection of Wisdom (Prajnaparamita) texts. There have been many translations of this short text over the years, but this is a completely fresh look and the translator comes up with some rather unique conclusions.
Red Pine, otherwise known as Bill Porter, is the name he goes by when engaged in translation work—as with his Diamond Sutra: The Perfection of Wisdom, and The Zen Teaching of Bodhidharma. Continue reading
Filed under: Book reviews, Books, Buddhism, Ch'an / Seon / Zen, History, Mahayana | Tagged: Abhidharma, Diamond Sutra: The Perfection of Wisdom, Road to Heaven, Sarvastivadins, Zen Teaching of Bodhidharma | 2 Comments »
Posted on 10 September 2016 by Buddhism Now
We are approaching the end of this summer school here in Leicester. The day after tomorrow we shall be departing and the only thing left will be a sweet memory which may recur from time to time.
In a way, life is a continuous imparting of oneself in other people’s hearts. So we can say there is a continual process of giving something to someone. Whether you like it or not, that is just the way life is. If you know this, then give readily with pleasure. Give it according to your own environment and relations.
There is a maxim in this part of the world: `One swallow does not make a summer’. But I’ve never seen a swallow in Britain! I can, of course, imagine a mother swallow picking up a worm or an insect and bringing it back to the nest where her young chicks—maybe five or six of them—are waiting, making an awful noise, opening their mouths: Me first! Me first! Me first! Give it to me! Give it to me! Continue reading
Filed under: Buddhism, Buddhist meditation, Ch'an / Seon / Zen, Mahayana | Tagged: #longread, Art Metropolitan Museum of Art, hua t'ou meditation, I Mo Ko, Jisu Sunim, Koan practice, Korean Buddhism, Longform, Zen koan | 1 Comment »
Posted on 29 August 2016 by Buddhism Now
Have you ever noticed? If everything seems to be going right in your life, if everything seems to be perfect and you start thinking that this is the most perfect time in my life and it’s going to be wonderful from now on, your world suddenly falls apart. It’s a bit like that old board game of snakes and ladders where you throw the dice and climb the ladder to greater and greater heights, then encounter a snake and zoom down you go again, maybe even to a lower position than before.
Some people might say that this is a somewhat pessimistic view of life and that we should be more optimistic, but I have found that this sort of thing does happen quite often. The pinnacle of perfection is reached in terms of health and worldly well-being, our ambitions have been gratified, maybe just sometimes, it’s exciting, and then something awful happens and we plummet downwards into a difficult or even nightmare situation. The depths of despair, on the other hand, can equally as suddenly turn and life goes into the ascendant again. Mostly, we probably just jog along with less dramatic ups and downs — we’re relatively happy; we’re relatively unhappy; we’re relatively happy again. Continue reading
Filed under: Beginners, Buddhism, Diana St Ruth, Foundations of Buddhism | Tagged: Art Metropolitan Museum of Art, Everyday Buddhist | 2 Comments »
Posted on 14 August 2016 by Buddhism Now
Ajahn Sumedho points to the real message of the Buddha’s teaching.
The talk (28 minutes) was given on 17 January 2010 at Uttama Bodhi Vihara in Selangor, Malaysia.
Filed under: Ajahn Sumedho, Beginners, Foundations of Buddhism, Theravada, Video | Tagged: Buddhist film, Buddhist video, Dharma Talk, Uttama Bodhi Vihara | 1 Comment »
Posted on 9 August 2016 by Buddhism Now
Most significant is the central Buddha touching the earth at the moment of his enlightenment under the Bodhi tree at Bodhgaya, indicated by the branches above his head. Surrounding him are scenes of his life, each one associated with a north Indian pilgrimage centre. From lower left, the Buddha is miraculously born out of Maya’s side as she grasps a branch of a sala tree in the Lumbini gardens. Next is the Buddha’s first sermon at Sarnath, and above that the Buddha is subduing the rampaging elephant Nalagiri. In the lowest register at right, a monkey offers honey to the Buddha, which ultimately led to his rebirth as a human, allowing him to reach enlightenment. Next the Buddha is performing miracles, though he is shown simply as a teaching Buddha, and above that the Buddha’s descent from Trayastrimsas heaven has been simplified to a standing Buddha. At the very top is the Buddha’s death at Kushinagara, marking the moment he entered nirvana. Continue reading
Filed under: Art, Buddhism, Foundations of Buddhism, History | Tagged: Art Metropolitan Museum of Art, Buddhist art, Lumbini gardens, Nalanda | Leave a comment »
Posted on 30 July 2016 by Buddhism Now
Twofold Depictions of the Buddha
You can read part one here.
A fact that could surprise people who visit Buddhist remains on the Indian subcontinent may be this: monuments relating to the Buddha are concerned not only with the present life of the Buddha but also often with his previous lives, namely with the events connected with his earlier life as a bodhisattva. It seems almost impossible to understand this peculiar phenomenon, particularly for those researchers who are accustomed to regarding the Buddha exclusively as an historical person. However, when we remember the simple fact that throughout history the Buddha has been the one who has stirred deep within people’s hearts the desire to proceed to nirvana and continues always to help them in their purpose, this phenomenon ceases to seem strange. Even during his lifetime, the significance of the Buddha rested mainly in his efforts to strive for nirvana as a bodhisattva. For those who cannot see the corporeal existence of the Buddha, the Buddha appearing through the footsteps taken by the bodhisattva one by one appears much more significant after the Buddha’s parinirvana. Although they cannot directly meet the Buddha who affects this world from the state of ‘nirvana’, the Buddha’s figure as it strives ‘towards nirvana’ as a bodhisattva will be respected as something familiar and will be always widely sought after. Continue reading
Filed under: Buddhism, Encyclopedia, Foundations of Buddhism, History, Mahayana | Tagged: Art Metropolitan Museum of Art, Buddhist history, Mahayana Buddhism, Professor Masahiro Shimoda | Leave a comment »