Shakyamuni and Attendant Bodhisattvas

元 佚名 釋迦三尊圖 軸

Sakyamuni and Attendant Bodhisattvas © The Metropolitan Museum of ArtThis painting stands midway between the hieratic icons employed in formal temple ceremonies and the informal images that served Chan (or Zen) monks as personal devotional images for use in meditation. The intimate scale, informality of the figures’ poses, and landscape setting link the painting to Chan-style depictions of Shakyamuni — the human origin of the Buddha — as an ascetic descending from the mountains just prior to achieving Buddhahood. In this scene, the Buddhist equivalent of Christ’s Agony in the Garden of Gethsemane, Shakyamuni offers a parallel to the Chan practitioner’s search for individual enlightenment.

Landscape elements in the painting follow the meticulously descriptive style of the Southern Song Painting Academy. The angular contours of the figures’ fluttering drapery lines are flat and conventionalized, however, and suggest an early fourteenth-century date for the piece.

Unidentified Artist Chinese. Yuan dynasty (1271–1368), late 13th – early 14th century.

With thanks to © Metropolitan Museum of Art



Categories: Art, Buddhism, Ch'an / Seon / Zen

Tags: , , ,

Add your comment.

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: