Bodhisattva, probably Avalokiteshvara (Guanyin), Northern Qi dynasty, c.550-60, Shanxi Province, China, sandstone with pigments, 13-3/4 feet / 419.1 cm high (Metropolitan Museum of Art, New York). Created by Beth Harris and Steven Zucker.
Image: Large-scale sculptures of bodhisattvas wearing extraordinary jewelry epitomize stylistic and iconographic innovations in Chinese sculpture from the second half of the sixth century.
The astonishing jeweled harness adorning this bodhisattva is made up of two long strands of pearl-like clusters and multifaceted beads. Some elements, such as the triangular pendants, have Chinese precedents. Others, such as the pearl cabochons, derive from Central Asian traditions.
The appearance of such elaborately figural sculptures, which later became standard in Chinese Buddhist art, attests to a growing devotion to Avalokiteshvara in the second half of the sixth century.
It is possible that the jewels refer to a passage in the Lotus Sutra in which the historical Buddha Shakyamuni and another bodhisattva extol Avalokiteshvara’s great compassion and presents him with a pearl necklace as a symbol of his benevolence.
Buddhist Art (short film around 8 minutes long).
Bodhisattva, probably Avalokiteshvara (Guanyin), ca. 550–560 (C) The Metropolitan Museum of Art.
Buddhism now 
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